{"id":7285,"date":"2018-01-11T19:40:58","date_gmt":"2018-01-12T01:40:58","guid":{"rendered":"https:\/\/estudioshistoricos.inah.gob.mx\/?p=7285"},"modified":"2022-11-29T17:49:50","modified_gmt":"2022-11-29T23:49:50","slug":"bonilla-reyna-helia-emma-2","status":"publish","type":"post","link":"https:\/\/estudioshistoricos.inah.gob.mx\/?p=7285","title":{"rendered":"BONILLA REYNA, HELIA EMMA"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7287\" src=\"https:\/\/estudioshistoricos.inah.gob.mx\/wp-content\/uploads\/Bonilla-Reyna-Helia-Emma-UNO.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/estudioshistoricos.inah.gob.mx\/wp-content\/uploads\/Bonilla-Reyna-Helia-Emma-UNO.png 300w, https:\/\/estudioshistoricos.inah.gob.mx\/wp-content\/uploads\/Bonilla-Reyna-Helia-Emma-UNO-150x150.png 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span style=\"color: #ff0000;\"><strong>Licenciatura en: <\/strong><\/span>Dise\u00f1o Gr\u00e1fico de la Escuela Nacional de Artes Pl\u00e1sticas de la Universidad Nacional Aut\u00f3noma de M\u00e9xico, 1985-1989<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Maestr\u00eda en:<\/strong><\/span> 100% de los cr\u00e9ditos de la Maestr\u00eda en Historia del Arte en la Facultad de Filosof\u00eda y Letras de la Universidad Nacional Aut\u00f3noma de M\u00e9xico.<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Doctorado en:<\/strong> <\/span>Historia del Arte por la Facultad de Filosof\u00eda y Letras de la Universidad Nacional Aut\u00f3noma de M\u00e9xico, (octubre del 2013)<\/p>\n<p><strong><span style=\"color: #ff0000;\">L\u00edneas de investigaci\u00f3n: <\/span><\/strong>Historia del arte, gr\u00e1fica del siglo XIX<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Proyectos vigentes: <\/strong><\/span><\/p>\n<p>Temas y problemas de la imagen impresa en M\u00e9xico en el siglo XIX y principios del XX (centrado ahora en dos asuntos: la vida y obra de Alejandro Casar\u00edn, y las caricaturas en el peri\u00f3dico <em>Los padres del agua fr\u00eda de Joaqu\u00edn Villalobos<\/em> en 1856).<\/p>\n<p>La ilustraci\u00f3n bot\u00e1nica en las revistas cient\u00edficas mexicanas (1837-1915): progreso y construcci\u00f3n nacional (centrado actualmente en las ilustraciones bot\u00e1nicas de las revistas <em>El Mosaico Mexicano<\/em> y <em>El Museo Mexicano<\/em> de Ignacio cumplido)<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Publicaciones recientes:<\/strong><\/span><\/p>\n<p><span style=\"color: #ff0000;\"><strong>Libros:<\/strong><\/span><\/p>\n<ul>\n<li>En coautor\u00eda con Marie Lecouvey <em>La modernidad en la<\/em>\u00a0<em>Biblioteca del Ni\u00f1o Mexicano: Posada, Fr\u00edas y Maucci<\/em>, M\u00e9xico, IIE-UNAM\/FONCA, 2015, 208 pp.<\/li>\n<li><em>Jos\u00e9 Guadalupe Posada: a cien a\u00f1os de su partida<\/em>, M\u00e9xico, BANAMEX-Instituto Cultural de Aguascalientes, 2012, 192 pp.<\/li>\n<li><em>Manuel Manilla, protagonista de los cambios en el grabado decimon\u00f3nico, <\/em>M\u00e9xico, CONACULTA, 2000, 32 pp. e il.<\/li>\n<\/ul>\n<p><span style=\"color: #ff0000;\"><strong>Art\u00edculos:<\/strong><\/span><\/p>\n<ul>\n<li>\u201cPosada, continuidad e innovaci\u00f3n en la imagen impresa finisecular: litograf\u00eda y fotolitograf\u00eda\u201d, en proceso de edici\u00f3n en <em>Anales<\/em> del Instituto de Investigaciones Est\u00e9ticas.<\/li>\n<li>En coautor\u00eda con Marie Lecouvey, \u201cLa pervivencia del <em>ars moriendi<\/em> y los <em>exempla <\/em>medievales en el grabador decimon\u00f3nico Jos\u00e9 Guadalupe Posada\u201d, en proceso de dictaminaci\u00f3n en <em>Nuevo Mundo Mundos Nuevos<\/em>, 2022, URL: <a href=\"https:\/\/journals.openedition.org\/nuevomundo\/89098\">https:\/\/journals.openedition.org\/nuevomundo\/89098<\/a>.<\/li>\n<li>\u201cLa Ciudad de M\u00e9xico\u00a0<em>desde globo<\/em>hacia 1858: modernidad y persistencias en una litograf\u00eda de Casimiro Castro\u201d,\u00a0<em>Nuevo Mundo Mundos Nuevos<\/em>, del Institut des sciences humaines et sociales du Centre national de la recherche scientifique, URL\u00a0: <a href=\"http:\/\/journals.openedition.org\/nuevomundo\/86700\">http:\/\/journals.openedition.org\/nuevomundo\/86700<\/a>.<\/li>\n<li>En coautor\u00eda con Marie Lecouvey, \u201cLe Mexique, pays du Nord? Auto-repr\u00e9sentation des Mexicains dans deux publications illustr\u00e9es (1854)\u201d, en <em>Crisol<\/em>, Centre de Recherches Ib\u00e9riques et Ib\u00e9ro-am\u00e9ricaines, Etudes Romanes, Universit\u00e9 Paris Nanterre, n\u00fam. 16, 13 de enero del 2021, Inventions du Sud, en <a href=\"http:\/\/crisol.parisnanterre.fr\/index.php\/crisol\/issue\/view\/77\">http:\/\/crisol.parisnanterre.fr\/index.php\/crisol\/issue\/view\/77<\/a>.<\/li>\n<li>\u201cSanta Anna como Faet\u00f3n en una caricatura de <em>El Gallo Pitag\u00f3rico<\/em> (1845)\u201d, en <em>Revista de Historia Moderna y Contempor\u00e1nea de M\u00e9xico<\/em>, Instituto de Investigaciones Hist\u00f3ricas de la UNAM, M\u00e9xico, n\u00fam. 56, julio-diciembre del 2018. URL: <a href=\"https:\/\/moderna.historicas.unam.mx\/index.php\/ehm\/article\/view\/67086\/62765\" target=\"_blank\" rel=\"noopener\">https:\/\/moderna.historicas.unam.mx\/index.php\/ehm\/article\/view\/67086\/62765<\/a><\/li>\n<\/ul>\n<p><span style=\"color: #ff0000;\"><strong>Cap\u00edtulos:<\/strong><\/span><\/p>\n<ul>\n<li>\u201cAntonio Vanegas Arroyo: el impacto de un editor popular en el porfiriato\u201d, en Mar\u00eda Anna Beatriz Masera Cerutti, coord.,\u00a0<em>Antonio Vanegas Arroyo: un editor extraordinario<\/em>, M\u00e9xico, Unidad de Investigaci\u00f3n sobre Representaciones Culturales y Sociales (UDIR), Coordinaci\u00f3n de Humanidades de la UNAM y Secretar\u00eda de Desarrollo Institucional de la UNAM, 2018, 61-105 pp.<\/li>\n<li>\u201cIm\u00e1genes de Posada en los impresos de Antonio Vanegas Arroyo\u201d, en Belem Clark de Lara y Elisa Speckman Guerra, eds., <em>La Rep\u00fablica de las letras: Asomos a la cultura escrita del M\u00e9xico decimon\u00f3nico<\/em>, M\u00e9xico, Universidad Nacional Aut\u00f3noma de M\u00e9xico, 2005. Vol. II: Publicaciones peri\u00f3dicas e impresos, pp. 415-436.<\/li>\n<li>\u201cLa historia patria en una publicaci\u00f3n jacobina: <em>El Hijo del Ahuizote<\/em>\u201d en Museo Nacional de Arte. <em>Los pinceles de la historia: la fabricaci\u00f3n del Estado: 1864-1910,<\/em> M\u00e9xico, Museo Nacional de Arte-Instituto de Investigaciones Est\u00e9ticas de la Universidad Nacional Aut\u00f3noma de M\u00e9xico, 2003, pp. 186-213.<\/li>\n<li>\u201cLa gr\u00e1fica sat\u00edrica y los proyectos pol\u00edticos de naci\u00f3n: (1808-1857)\u201d, en Museo Nacional de Arte, <em>Los pinceles de la historia: de la patria criolla a la naci\u00f3n mexicana: 1750-1860,<\/em> M\u00e9xico, Museo Nacional de Arte-Instituto de Investigaciones Est\u00e9ticas de la Universidad Nacional Aut\u00f3noma de M\u00e9xico, 2000, pp. 170-187.<\/li>\n<\/ul>\n<p><span style=\"color: #ff0000;\"><strong>Nivel en el INAH: <\/strong><\/span>Titular C<\/p>\n<p><strong><span style=\"color: #ff0000;\">Sistema Nacional de Investigadores:\u00a0<\/span><\/strong><span style=\"color: #ff0000;\"><span style=\"color: #000000;\">Nivel 1<\/span><\/span><\/p>\n<p><span style=\"color: #ff0000;\"><strong>Correos electr\u00f3nicos:<\/strong><\/span><\/p>\n<p>helia_bonilla@hotmail.com<br \/>\nhbonilla.deh@inah.gob.mx<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Licenciatura en: Dise\u00f1o Gr\u00e1fico de la Escuela Nacional de Artes Pl\u00e1sticas de la Universidad Nacional Aut\u00f3noma de M\u00e9xico, 1985-1989 Maestr\u00eda [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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